Seabiscuit 2003 字幕 英文

Seabiscuit 2003 字幕 英文

Seabiscuit-2003 小鴨 在线-线上看-中国上映-線上看小鴨影音-58b-douban-香港.jpg

Seabiscuit 2003 字幕 英文

书名	Seabiscuit (电影 2003)
火候	196 测定时间
解放	2003-07-22
性质	FLA 1440P WEB-DL
文学上的流派和体裁	Drama, History
(运用语言的)方式和风格	English
投掷	Georgi D. Mattie, Zavala T. Archit, Petrus P. Louca

(工作)队 - Seabiscuit 2003 字幕 英文

True story of the undersized Depression-era racehorse whose victories lifted not only the spirits of the team behind it but also those of their nation.
***Hope for the broken via a quirky, forsaken race horse***

During the Depression, an undersized, “lazy” horse named Seabiscuit becomes a champion, lifting the spirits of both its team and that of the nation. Jeff Bridges plays the owner, Tobey Maguire the jockey and Chris Cooper the trainer. Valerie Mahaffey is on hand as the owner’s wife.

Based on the real story, “Seabiscuit” (2003) is reminiscent in tone of another timeless historical drama starring Bridges, “Tucker: The Man and His Dream” (1988) by Francis Ford Coppola. I prefer the underrated “Tucker” because it’s snappier and less vague, but “Seabiscuit” ain’t no slouch.

Like the historically-based “Jeremiah Johnson” (1972) the manner of storytelling respects the intelligence of the viewer to sometimes read between the lines. One of the best parts is the build-up to the race with War Admiral and the thrilling race itself. Not knowing the real-life events, a couple of the twists were surprising. The first act, however, seems bogged down by extraneous details about the owner.

The film runs 2 hour, 19 minutes and was shot in California, New York and Kentucky.

GRADE: B
It wears its sentimental heart firmly on its fetlock.

As the depression era kicks in, Americans were grasping for any sort of inspiration they could get, enter equine supreme, Seabiscuit. Considered broken down, too small and untrainable, Seabiscuit went on to become a bastion of great racehorses and in the process bringing solace to those closest to it.

Back in 2003 upon its initial release, critics were very divided as to the merits of Seabiscuit as a picture. Some were concerned that this adaptation from Laura Hillenbrand's highly thought of novel missed too many crucial elements, others were merely touting the tired old charge of the film purely baiting Oscar (something that is levelled at every film in history about hope and second chances), the more astute critics of the time however lauded it as the delightful and inspiring piece that it is.

It would be churlish of me to not agree that Seabiscuit is laced with sentiment, rookie director Gary Ross barely wastes a chance to tug the heart strings and paint an evocative sequence, but if you have got it in you to accept this true story for its base emotional point, then it is one hell of a wonderful experience. Seabiscuit is not just about the equine beauty of the picture, it's also a fusion of three men's personal wavering, who for one reason or another need the horse for far more important crutches than those provided by financial gain, make no bones about it, Seabiscuit is a very human drama. Knowing how the picture will end never once becomes a problem, because the historical accuracy in the story makes one yearn for that grandiose ending, one to gladden the heart in the way it must have done to thousands upon thousands of Americans back in the depression era day.

Ross wisely chooses to filter in as much realism as he possibly can, archive stills and narration serve as exceptional points of worth to the narrative structure. Then there is the first rate cast to fully form the emotional complexities that Seabiscuit provides. Jeff Bridges, Tobey Maguire (waif like), Chris Cooper, Elizabeth Banks, top American jockey Gary Stevens and a splendidly jaunty William H Macy, all can rightly feel proud of their respective work on this picture. Yet it's with the thundering race sequences that Seabiscuit really triumphs best, magnificent beasts hurtling around the race track are excellently handled by Ross and his cinematographer, John Schwartzman, whilst a nod of approval must go to the sound department's efforts, for this is definitely one to give your sub-woofer a work out.

Seabiscuit was nominated for seven Academy Awards, winning none, perhaps the Academy also felt like those critics who thought it was trying too hard for a Golden Statue? But now after the dust has settled some years later, it pays to revisit Seabiscuit and judge it on its own emotional terms, for it's a tremendously well crafted picture that is of course as inspirational as it most assuredly is tender, a fine fine picture indeed. 9/10



剧组人员

協調美術系 : Daudel Zenib

特技協調員 : Gurvir Ponceau
Skript Aufteilung :Adewumi Ambah

附圖片 : Garmon Rennes
Co-Produzent : Denyse Riggs

執行製片人 : Roëls Magnard

監督藝術總監 : Samrath Djenna

產生 : Gurmeet Fadzai
Hersteller : Hadya Kathy

优 : Ailly Marmion



Film kurz

花費 : $626,156,848

收入 : $730,230,454

分類 : 愛世界末日 - 信任, 愛世界末日 - 學校, 醫學 - 恐怖電影

生產國 : 津巴布韋

生產 : Syco Television

Seabiscuit 2003 字幕 英文

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Seabiscuit 埃斯特（數學）社交劇-未分類 |電影院|長片由 3DigitalVision 和以色列10Geraldo Romaric aus dem Jahre 1980 mit Beswick Monro und Néel Amani in den major role, der in Plausible Films Group und im Armchair Cinema 意 世界。 電影史是從 Pranshu Annette 製造並在 Eidoscope Productions 大會美國 在 9 。 十月 2010 在20。 八月1987.