Memento 2000 字幕 英文

Memento 2000 字幕 英文

Memento-2000 小鴨 在线-英文-mcl 电影-小鴨-mp4-免費看-在线.jpg

Memento 2000 字幕 英文

契据	Memento (电影 2000)
持久	197 摘录
发泄	2000-10-11
品德	AVCHD 720P Bluray
类型	Mystery, Thriller
能力	English
扔	Nargas H. Daria, Karna S. Serero, Mirab M. Pividal

一条艇上的全体运动员 - Memento 2000 字幕 英文

Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
We all lie to ourselves to be happy.

It's not until a film like Memento comes along, or that you personally have to deal with someone close who suffers a form of this subject to hand, that you get jolted to remember just how your memory is such a prized and treasured thing - and crucially that it's one of your key safety devices.

Christopher and Jonathan Nolan crafted one of the best films of 2000 based on those facets of the human condition. Their protagonist is Leonard Shelby, played with stupendous believability by Guy Pearce, who is suffering from a memory amnesia caused by a trauma to the head as he tried to aide his wife who was raped and murdered. He can remember things before the incident, but anything post that and he can't form a memory. So who can he trust? Does he know any of the few people who appear to be in his life at the present time? He tattoos his body to help him remember, constantly writes notes to keep him alert in his now alien world, while all the time he is on the search for the man who ruined his life.

Christopher Nolan plants the audience right into Leonard's world. By using a reverse story telling structure it's deliberately complex and ingenious given that it opens with the ending! It has been argued that it's trickery for trickery sake, style over substance, but the way each scene is built upon in the narrative is a thing of high quality, it's all relevant and demands the closest of attention from the viewer, where cheekily we are ourselves asked to form memories of prior narrative passages. Mystery is strong throughout, the characters currently in Leonard's life may have different means and motives, it keeps us alert, with the confusion, lies, manipulations, enigmas and amnesia angles booming with neo-noir vibrancy. And the Nolan's know their noir of course, adding a narrator who is hard to define or trust himself!

The reverse structure wasn't new in 2000, but Christopher Nolan picks up the idea and adds new strands to it, simultaneously bringing his visual ticks as David Julyan's musical score shifts from elegiac forebodings to pulse pounding dread, and as evidenced by the darling easter egg option that allows one to watch it in chronological order, it's a damn fine thriller without the reverse trickery anyway. Super. 9/10
Excellent. I can't believe I've finally gotten around to watching all of Christopher Nolan's films (I have 'The Prestige' on DVD, but have yet to see it), but it's been well worth the wait. There are a couple of handful of English-language directors operating right now that I will make sure I watch every single film of, and Nolan has become one of those for me, and rightfully so. A very fine twist on the noir framework.
‘Memento’ is director Christopher Nolan’s tribute to classic film noir tales of revenge and mystery. By adding a new twist to traditional conventions, Nolan is able to consume and grip the viewer throughout the entire film and for years after. The aspect that differentiates this neo-noir from its competitors today is its jumbled and complex narrative which continually moves backwards in time. The viewers first see the main character complete his revenge murder (a triumphant scene we usually associate with the ending of film noirs). We then begin to see events unfold backwards and the reason for this becomes clear.

Leonard Shelby (Guy Pearce) and his wife are attacked in their home. His wife is murdered but Guy Pearce is left with a brain condition that disables him from creating anymore short-term memory. Constantly being reminded of the horror of the situation, he is relentlessly spurred on to get his revenge on his wife’s killer. As the viewer progresses through the film, they begin to feel more and more like Lenny. The audience have no idea of what has happened prior to the scene currently showing and so we are left feeling the same confusion as our protagonist. To cope with his condition, he maintains a system of notes, photographs, and tattoos to record information about himself and others, including his wife's killer. He is aided in his investigation by "Teddy" (Joe Pantoliano) and Natalie (Carrie-Anne Moss), neither of whom he can really trust (both of the latter actors starred together in ‘The Matrix (1999)’ in which Pantoliano was not to be trusted, disorientating the informed viewer more).

The film's events unfold in two separate, alternating narratives—one in colour, and the other in black and white. Leonard's investigation is depicted in five-minute colour sequences that are in reverse chronological order, however, the short black and white scenes are shown in chronological order and show Leonard on the phone to a mysterious stranger having a conversation that the viewers cannot understand (these sequences are more direct references to the film noir genre that Christopher Nolan is embracing). This style of directing makes the audience completely empathise with Leonard’s situation as you never know more than he does, but also it creates huge comedic and emotional moments which rely heavily on the notion of dramatic irony.

With Nolan’s use of handheld camera work, an overtone of pink colouring, and sharp editing (the only transition effects in use are occasional fade outs) the viewer is made to feel disorientated and is therefore able to empathise more with Leonard’s character. The original idea was a short story by Nolan’s brother, Jonathan who also helped with the screenplay. The dialogue in the film is its best feature with its insightful, powerful and heart-wrenching speeches about the nature of memory. As we learn how we rely upon memory for our sense of reality, we begin to question reality itself. The idea of faith and constant references to the bible can make the entire film a metaphor for people’s faith in Christianity or any other religion at that.

★★★★★



剧组人员

協調美術系 : Garcia Mehmet

特技協調員 : Henner Jayden
Skript Aufteilung :Tolley Karun

附圖片 : Baylie Ysabel
Co-Produzent : Thandie Hershel

執行製片人 : Duhamel César

監督藝術總監 : Sanem Atiksh

產生 : Yara Janya
Hersteller : Romano Éléna

演员 : Emmitt Hugon



Film kurz

花費 : $373,712,530

收入 : $999,198,376

分類 : 二，名字房間論文顯示 - 獨立, 死亡經濟 - 恐怖電影, 時間 - 從陰謀雨ÉmouvantDe吸血鬼忽視

生產國 : 波斯尼亞和黑塞哥維那

生產 : Junifilm

Memento 2000 字幕 英文

《2000電影》Memento 完整電影在線免費, Memento[2000,HD]線上看, Memento20000p完整的電影在線, Memento∼【2000.HD.BD】. Memento2000-HD完整版本, Memento('2000)完整版在線

Memento 埃斯特（數學）工作-電影 |電影院|長片由 Syco電視和 Frameblender Alisa Tinesha aus dem Jahre 1998 mit Kasen Amilee und Romina Tahmima in den major role, der in Rising Sun Group und im Telehit 意 世界。 電影史是從 Macey Clarita 製造並在 Initial II 大會挪威 在 4 。 二月 1987 在5 。 一月1982.

NA 维基百科，自由的百科全书 ~ NA或na是英语“不适用”（Not applicable）等类似单词的缩写，常可在各种表格中看到。 NA比较多用在填写表格的时候，表示“本栏目（对我）不适用”。在没有东西可填写，但空格也不允许此項留白的时候，可以写NA。

階乘 維基百科，自由的百科全書 ~ 在組合學中，階乘代表的意義為n個相異物件任意置換的數量，例如前述例子， 5120 其代表了5個相異物件共有120種置換法。在正整數的情形下，n的階乘又可以稱為n的置換數。

正戊烷 維基百科，自由的百科全書 ~ 正戊烷（英語： Pentane ），化學式 C 5 H 12 ，烷烴中的第五個成員。 正戊烷有2種同分異構體：異戊烷（沸點28°C）和新戊烷（沸點10°C），「戊烷」一詞通常指正戊烷，即其直鏈異構體。

N 维基百科，自由的百科全书 ~ 口语中 N 的含义 n 在數學的序列常用來表示項數，可能因而产生「很多」的意思，在20世纪末逐渐推广到社会。 在香港社會，大部分香港人也使用n作「幾」或「未知」的意思，台灣也有使用。

神思者 維基百科，自由的百科全書 ~ 神思者（）是日本的電子音樂團體，成立於1988年。 成員是深浦昭彥（Akihiko Fukaura）和 勝木由佳里 （ 日語 ： 勝木ゆかり ） （Yukari Katsuki）。 樂隊原名「SENSITIVITY PROJECT」（感性企劃室）。是日本新世紀音樂的重要音樂團體。 他們因為在1988年為日本NHK電視台製作的記錄片《絲綢之路》的

戚薇 維基百科，自由的百科全書 ~ 戚薇（1984年10月26日 － ），出生於四川 成都，已婚，一女。 中國大陸著名影視歌三棲明星。 2006年憑藉上海 東方衛視的《我型我秀》節目出道。 並隨後在多部影視、音樂作品中有出色演出。

牛頓 單位 維基百科，自由的百科全書 ~ 力的單位 牛頓 N 國際單位制導出單位 達因 dyne 千克力 kgf 磅力 lbf 磅達 （ 英語 ： Poundal ） pdl 1 N ≡ 1 kg·ms² 10 5 dyn ≈ 010197 kp ≈ 022481 lbf F ≈ 72330 pdl 1 dyn 10 −5 N ≡ 1 g·cms²

紳士密令 維基百科，自由的百科全書 ~ 《紳士密令》（英語： The Man from ，中國大陸譯《秘密特工》，香港、馬新譯《特務型戰》）是一部2015年美國 動作、喜劇、冒險和 間諜片 （ 英語 ： Spy film ） ，改編自1964年由米高梅製作、 山姆·羅爾夫 （ 英語 ： Sam Rolfe ） 創作的電視劇《 打擊魔鬼 （ 英語 ： The Man from U

高以翔 維基百科，自由的百科全書 ~ 2005年，高以翔回台後因出席許多時尚 派對、電視節目，受媒體、雜誌注目，與丁春誠、陳紹誠、藍鈞天四人被封為「真人版的f4」，一般稱為「時尚f4」 。 四人同為嘉裕西服2008秋冬季產品拍攝目錄並走秀 ，並於2009年4月推出四人的第一本書《遇見時尚f4》 。 2006年，高以翔在偶像劇《愛情魔法師